摘要
"月色"为自然光景中极为重要的一种,是关于"乡愁"的美好记忆,也是中外历史上文人及艺术家们赞美的主题之一。文章在吴硕贤先生提出的"光景"概念及光景学科研究背景下,梳理了中西方月崇拜及月色欣赏的哲思内涵;从月色光景的文学、美术作品及场景审美语境的对比分析,总结中西方文化中月文化在时空语境、语义情感上有所不同,但在人与月景的"情境共鸣"方面却甚为一致。文章旨在为强化传统文化意识、留住乡愁、营造高品质人居环境提供新的视野与途径。
"Moonlight"is one of the most important natural lightscape.It invokes beautiful memories about"homesickness",and is also one of the major themes that scholars and artists have been praising.Under the concept of"Lightscape"and the"Lightscape discipline"proposed by professor Wu shuoxian,this paper sorts out the philosophical connotation of moon lightscape in both Eastern and Western cultures.With the comparative analysis of literature,artistic works and aesthetic about moon lightscape,it is shown that the Eastern and Western cultures are different sometimes in terms of space-time context,semantics and emotions,but there are also consistency in terms of"situational resonance"between people and moon lightscape.This paper mainly focuses on strengthening the traditional cultural awareness,retaining nostalgia,and providing some new vision and way for creating a high-quality living environment for people.
作者
邱坚珍
李雅婷
Qiu Jianzhen;Li Yating
出处
《建筑与文化》
2020年第10期225-228,共4页
Architecture & Culture
基金
中国科学院咨询课题“继承弘扬传统文化,提升人居环境品质——重视开展声景学、香景学及光景学研究与实践”子课题“光景学研究”(项目编号:2018-ZW01-A-031)。
关键词
月文化
月崇拜
月色审美
光景学
moon culture
moon worship
moonlight aesthetic
lightscape