期刊文献+

法国社会对南京大屠杀记忆的建构

The Construction of Collective Memory of Nanjing Massacre in France
下载PDF
导出
摘要 影像表达、异语书写、联合办展是法国社会建构南京大屠杀历史记忆的三种主要形式。在法国,与南京大屠杀有关的影像有纪录片、自媒体视频、网络电视片等丰富的表现形式;异语书写既包括法国学者的学术研究和法国出版商的自主出版,也包括中国与法国出版商之间的交流与合作;法国冈城和平纪念馆与侵华日军南京大屠杀遇难同胞纪念馆则以联合办展的形式共同书写了南京大屠杀历史记忆的新篇章。在中法两国的共同努力下,这些多元化的传播形式涵盖了不同阶层的法国受众,使得越来越多的法国民众了解了南京大屠杀的历史事实,从而在法国社会不断建构南京大屠杀的历史记忆。 Image expression,writing in foreign language and joint exhibition are the three main forms of French society to construct historical memory of Nanjing Massacre.The images related to Nanjing Massacre in France have rich expressions such as documentaries,self-media videos and Internet TV programs;writing in foreign language includes not only academic research by French scholars,independent publication by French publishers,but also the exchange and cooperation between Chinese and French publishers;the Caen Memorial Museum in France and the Memorial Hall of the Victims in Nanjing Massacre by Japanese Invaders in China jointly wrote a new chapter in the historical memory of the Massacre by means of joint exhibitions.With joint efforts from both sides,these diversified forms of dissemination have covered French audiences of different classes,enabling more and more French people to understand the historical facts of Massacre,and thereby continuously constructing its historical memory in France.
作者 陈璞君 Chen Pujun
出处 《日本侵华南京大屠杀研究》 CSSCI 2020年第3期35-41,138,共8页 Journal of Japanese Invasion of China and Nanjing Massacre
  • 相关文献

参考文献2

二级参考文献3

共引文献5

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部