无法与无需抵达之象:贡布里希艺术思想核心理念讨论

An Unreachable and Unnecessary Image:On the Core Concepts of E.H.Gombrich’s Artistic Thought

贡布里希的艺术研究坚持再现逻辑与理性原则。他认为艺术不是对世界的像似,也非对制作者内心世界的描绘,而是对符号原型功能主义的再现。在此理念下,他创立了艺术图式、错觉主义、等效性等典范性概念,阐释艺术与现实的双向辨认关系,以此为柏拉图模仿说阴影下的艺术正名,且对放弃艺术图式、非理性的现代艺术的价值,表达了他的质疑。

E.H. Gombrich insists on the logic of representation and the principle of reason in his artistic research.He advocates the idea that art is neither a resemblance of the world nor a depiction of the composer’s inner world,but a functionalist representation of the sign’s prototype.Following this basic idea,he proposes such classic concepts as artistic schema,illusionism and equivalence,and expounds on the bidirectional recognition between art and reality,to reclaim the value of art concealed under the shadow of Plato’s theory of "imitation".In addition,he queries the value of "irrational"modern art that has abandoned artistic schema.