摘要
本文对于由赵毅衡先生提出、谭光辉教授进一步阐发的"双层区隔"论,从"双层区隔"作为辨识标准还是性质规定、二度区隔的"进一步再现"的性质、二度区隔是否虚构所独有、虚构区隔框架与人格-框架二元叙述者是否合一、虚构框架是客观存在还是主观认定等方面进行了再讨论,并认为建立在模仿叙述基础之上的"双层区隔"论在处理非自然叙述(反模仿的虚构叙述)时可能会遇到挑战。本文建议从修辞交流的理想情况及非理想情况的不同层面讨论虚构、纪实问题,进而以影射作品、戏拟文本、戏剧表演等较复杂情况讨论了虚构、纪实的判断困境。
This paper revisits the "double framing" principle,a theory proposed by Mr Zhao Yiheng and further developed by Tan Guanghui,and discusses the following questions:Is the "double framing" principle an identifying criterion or a kind of characterisation?What is the nature of secondary segregation?Is secondary segregation peculiar to fictional narrative?Is the fictional separation in the same frame as the personality-frame binary narrator?Is the fictional frame objective or subjective?This paper holds that the "double framing" principle,based on mimetic narratives,seems to face challenges when dealing with unatural narratives(anti-mimetic fictional narratives).Therefore,this paper suggests that fictional and factual issues should be examined at different levels of ideal and non-ideal rhetorical communication situations,and discusses the dilemma of judging fictional and factual narratives in more complex situations,such as insinuative texts,parody texts and performances.
作者
王长才
Wang Changcai(Department of Chinese Language and Literature,School of Humanities at Southwest Jiaotong University)
出处
《符号与传媒》
2020年第2期209-218,共10页
Signs & Media
基金
国家社科基金项目“非自然叙述学研究”(16BZW013)的阶段性成果。
关键词
双层区隔
虚构
纪实
非自然叙述
阐释漩涡
the "double framing" principle
fictional narrative
factual narrative
unnatural narrative
interpretive vortex