摘要
浙江金华万佛塔出土的鎏金铜水月观音像在美术史上有着重要的意义,对研究水月观音图像的发展、变异提供了一个关键的样式线索。本文通过论证,认为:此像为五代十国时期吴越国造像,吴越国存续时期正是这类图像多样发展时期,入宋之后水月观音形象趋于固定,而吴越国首先出现的这种游戏坐姿的造型成为其最常见形象之一。
The Gold-Plated Bronze Statue of Water and Moon Kuan-yin unearthed from Jinhua Wanfo Pagoda in Zhejiang province is important in art history, which provide a key pattern clue to the research of development and variation of Water and Moon Kuan-yin Statue.This statue was made from Wu-Yue Kingdom during the Five Dynasties and Ten Kingdoms. The diversity of this kind of design is developed during the period of Wu-Yue Kingdom. The design of Water and Moon Kuan-yin Statue tend to be fixed after Song Kingdom established. This kind of Game Sitting Statue is first appeared in Wu-Yue Kingdom and finally become the most common pattern of Water and Moon Kuan-yin Statue.
作者
张萌
Zhang Meng(National Museum of China,Beijing,100006)
出处
《博物院》
2020年第4期58-65,共8页
Museum
关键词
万佛塔
吴越国
水月观音
图像
五代十国
Wanfo Pagoda
Wu-Yue Kingdom
Water and Moon Kuan-yin Statue
images
Five Dynasties and Ten Kingdoms