乐器演奏视域中的科尔沁民歌传承——以科尔沁左翼中旗与后旗的田野调查个案为例

Inheritance of Horqin Folk Songs from the Perspective of Musical Instrument Performance--A case study of Horqin Left Wing Middle and Rear Banner

科尔沁民歌的演唱与蒙古族传统乐器的关系是相互依存、和谐发展的。民歌演唱离不开乐器伴奏的形态,乐器演奏离不开民歌的素材和载体,乐器经常以器乐化的形式表达着民歌,民歌的旋律音调在乐器演奏的形式中得到传承。从乐器演奏视域中的科尔沁民歌传承,我们可以得到另外一个视角,即围绕乐器演奏与器乐化表达方式的视角。不仅仅从民歌演唱的形式与范围去考察民歌本体,而从乐器演奏、伴奏以及合奏的形式去观照科尔沁民歌的创造活动,这里,民歌与器乐形成了共同的表达方式。本文从科尔沁民间器乐合奏曲目中的民歌宝库、科尔沁民歌的器乐化、科尔沁地区的民间器乐合奏传统三个方面进行论述,以期更加深入、全面地认识科尔沁民歌的地方特色。

The performance of Horqin folk songs and traditional Mongolian musical instruments are related closely and develop in harmony.Folk songs cannot be performed without the accompany of musical instruments,musical instruments performance can not be finished without the materials of folk songs.Musical instruments often express folk songs in the form of instrumentalization,and the melody tone of folk songs is inherited in musical instrument performances.We discuss the inheritance of Horqin folk songs in the perspectives of musical instrument performance and in the form of instrumentalized expression.It is not only to examine the folk song body from the form and scope of folk songs performance,but also to observe the creative activities of Horqin folk songs in musical instruments performance,accompaniment and ensemble.In this sense,folk songs and musical instrument performances share the same form of expression.Three aspects of the folk music treasure trove in Horqin folk instrumental ensemble,the instrumentalization of Horqin folk songs,and the traditions of folk instrumental ensemble in Horqin region in the article,we are expecting to gain a deep and comprehensive understanding of the local characteristics of Horqin folk songs.