摘要
碑刻文献除了兼具文学、史学和金石学研究价值外,还具书法价值和审美意义。元代书坛领袖赵孟頫在江苏一带书写了数量颇多的碑石,不仅楷书,行书、草书在当时的碑刻中也时常出现,对元代及后世碑刻书法影响深远。本文初步厘清了赵孟頫所书江苏碑刻的时间脉络,将之分为早期(1308年之前)、中期(1309-1315)和后期(1316-1322)。在此基础上,分析其碑刻书法的史料价值与风格特征,勾勒出赵孟頫在江苏的书碑活动及其特点。这些书碑活动成为赵孟頫在江南儒学、理学气氛下成长和交往的见证,是赵孟頫艺事活动的重要组成部分。
In addition to the research value in literature,history,and epigraphy,the inscription documents also have calligraphic value and aesthetic significance.Zhao Mengfu,a leading calligrapher in the Yuan Dynasty,wrote a large number of inscriptions in Jiangsu.Not only regular script but also semi-cursive script and cursive script frequently appeared in the inscriptions at that time,which has a profound influence on inscription calligraphy in the Yuan Dynasty as well as that of later generations.This article preliminarily clarifies the timeline of Jiangsu tablet inscriptions written by Zhao Mengfu and divides it into early years(before 1308),middle years(1309-1315) and late years(1316-1322).On this basis,it analyzes the historical value and stylistic features of his calligraphy,outlining Zhao Mengfu’s calligraphic activities and characteristics in Jiangsu.These calligraphic activities have become a testimony of Zhao Mengfu’s growth and sociality in the atmosphere of Confucianism and Neo-confucianism in regions south of the Yangtze River and are an important part and supplement of Zhao Mengfu’s artistic activities.
出处
《江苏社会科学》
CSSCI
北大核心
2020年第5期189-198,240,共11页
Jiangsu Social Sciences
基金
国家社科基金艺术学重大项目“中国美术史学史研究”(19ZD19)
江苏艺术强省建设决策咨询研究基地研究项目、南京师范大学江苏书画艺术研究中心研究项目、江苏省“六大人才高峰”培育资助项目“江苏碑刻文献与书法研究”(JY-040)阶段性成果。
