数字时代电影艺术中的假定性美学阐释

Hypothetical Aesthetic Interpretation of Film Art in the Digital Age

数字时代电影技术的革新不仅对传统纪实美学造成振荡性冲击,也使电影假定性美学的内涵发生延展。有必要梳理假定性美学的发展历程,提炼其发展阶段及主要特点,进而通过对数字时代影视艺术现象的透析,探讨数字技术背景下电影假定性美学在影像内容表现、演员表演形式及受众审美体验等方面的变化与延展。在技术语境下,电影美学观念正逐渐从“生活真实”转向“艺术真实”,这一转变进一步凸显了电影的假定性美学特征并引发对电影本体论的重新审视。

The innovation of film technology in the digital age not only has an oscillating impact on the traditional documentary aesthetics,but also extends the connotation of the film hypothesized aesthetics.It is necessary to sort out the development process of hypothetical aesthetics,refine its development stages and main characteristics,and then analyze the film and television art phenomenon in the digital era,and explore the changes and extension of film hypothetical aesthetics in the aspects of image content performance,actor performance form and audience aesthetic experience under the background of digital technology.In the context of technology,the aesthetic concept of film is gradually shifting from “life reality”to“art reality”,which further highlights the hypothetical aesthetic characteristics of film and leads to a re-examination of the film itself.