斯特拉文斯基新古典主义音乐美学思想研究

On Causes of Stravinsky’s Neoclassical Music Aesthetic Thoughts

斯特拉文斯基是20世纪西方重要作曲家之一,《音乐诗学六讲》是其新古典主义美学思想的集中反映。斯特拉文斯基的创作在借鉴和吸收古典主义音乐特征的同时,更注重使用古典主义复调音乐的创作手法,风格简洁、清晰、均衡,形成了"形式、结构、秩序"为核心的音乐美学思想。斯特拉文斯基新古典主义美学思想的形成是其谨慎的外向型性格、缺乏安全感的经历在音乐追求层面的反映,同时也与20世纪初动荡不安的社会局面、一战后重建文化传统的要求以及来自巴赫、佳吉列夫等的影响之间关系密切。

Stravinsky is one of important Western composers in the 20 th century.Six Lectures on Music Poetics is a concentrated reflection of his neoclassical aesthetic thoughts.While learning and absorbing the characteristics of classicist music,Stravinsky’s creation put more emphasis on the use of classicist polyphonic music.With concise,clear and balanced style,the music aesthetic thoughts are formed with the core of"form,structure and order".The formation of Stravinsky’s neoclassical aesthetics is a reflection of his cautious outgoing personality and the experience of insecurity at the level of musical pursuits.Meanwhile,there is a close relationship between the turbulent social situation of the early 20 th century and the traditional requirements and the influence from Bach and Diagilev after World War I.