摘要
汉代艺术中的胡人形象对于研究汉代民族关系与文化艺术交流具有重要意义。针对相关研究缺乏性别视角的问题,分别考察了汉墓出土图像与汉代文本中的胡人形象的性别表现,发现汉代艺术中胡人女性形象的缺失是由于忽略了胡人形象性别差异的表达。究其原因,是汉代艺术对胡人形象进行性别建构的结果,主要由汉代墓葬艺术形式与功能、胡汉民族风俗差异、民族关系与文化融合三方面造成。
The representation of Hu people in the art of the Han Dynasty is of great significance to the study of ethnic relations and cultural and artistic exchanges during the Han Dynasty.In response to the lack of gender perspective in related research,gender expression of Hu people in the images of Han tombs and texts were separately inspected.It was found that the missing of female Hu people represented in the art of the Han Dynasty was due to neglected expression of gender difference among Hu people.Gender construction of Hu people’s representation in the art of the Han Dynasty was mainly built up by three aspects:the form and function of the art of the tombs in the Han Dynasty,the difference in customs between Hu and Han people,and ethnic relations and cultural integration.
作者
宁强
贾晓贝
NING Qiang;JIA Xiao-bei(School of History,Capital Normal University,Beijing 100089,China)
出处
《北京联合大学学报(人文社会科学版)》
CSSCI
2020年第4期38-43,共6页
Journal of Beijing Union University(Humanities and Social Sciences)
关键词
汉代
胡人
女性
性别建构
Han Dynasty
Hu people
female
gender construction