从小说到宝卷:小南一郎的俗文学研究路径

From Novels to Baojuan:A Research Approach to the Pop Literature of Kominami Ichiro

日本汉学家小南一郎作为京都学派的代表人物,一生致力于中国古典文学的研究。其中文版著作《中国的神话传说与古小说》《唐代传奇小说论》在国内颇具影响力。近年来,小南先生转向宝卷研究,就内在动因而言,小南先生长期从事神话历史、古小说、民间风俗的研究,且宝卷大多取材于此,所以向宝卷研究方向的转移是顺理成章之事,加之受到中日两位宝卷学者车锡伦和泽田瑞穗的外在影响,形成了其独树一帜的研究风格。同时,在坚持以乾嘉考据学精神为研究态度之外,以文化人类学的田野调查为方法论,注重中国宝卷在现当代的传承、流布和存续等问题。以日本汉学史为框架,深度解析小南先生宝卷研究的路径,有助于揭示在跨文化语境中,日本汉学家薪火相传的学术特质和思想内涵,深化日本汉学研究,对当代中国学界的宝卷研究有着重要的借鉴作用和学术价值。

As a representative of the Kyoto School,the Japanese Sinologist Kominami Ichiro has devoted his life to the study of Chinese classical literature.Among them,the Chinese version of his works:The Chinese Myths and Legends and Ancient Novel and Legends of the Tang Dynasty are influential in China.In recent years,Mr.Kominami has turned to Baojuan research.In terms of internal motivation,Mr.Kominami has been engaged in the research of mythology,history,ancient novels and folk customs for a long time,and most of the Baojuan are based on history,novels,and folk tales.The change of direction is a matter of course,coupled with the external influence of two Chinese and Japanese Baojuan experts,Sawada Mizuho and Che Xilun.Mr.Kominami has formed a unique research style and research method.Taking the history of Japanese Sinology as the framework,the deep analysis of the research approach to Mr.Kominami’s Baojuan will help to reveal the academic characteristics and ideological connotation of the Japanese Sinologist in the cross-cultural context,and deepen Japan’s long and profound studies of Sinology.