摘要
《红楼梦图咏》作为凝固的红楼图像,突破了文字描写的屏障,不仅具有一定的纪实性与艺术性,而且也有助于中国清代"器用审美"的普及。本文以改琦《红楼梦图咏·元春》图中的圈椅为对象,通过分析搭脑、椅圈、靠背、腿足等的细节特征,从设计的视角对符号化的图像形态与意义进行深度阐释。在此基础上结合历史资料中该类型圈椅的出现情况,考证其设计原型和常见使用对象。得出该形制的圈椅与女性用户群体之间具有一定的关系,为进一步探讨传统家具的性别设计抛砖引玉。
As a static image of the red mansion,the picture of a dream of red mansions breaks through the barrier of literal description.It is not only documentary and artistic but also conducive to the popularization of"aesthetic appreciation of utensils"of the Qing Dynasty.This paper takes the armchair in Yuanchun as the object.Through the analysis of the detailed features of the head,chair circle,back,legs and feet,the symbolic image form and significance are interpreted deeply from the perspective of design.On this basis,combined with the emergence situation of this type of armchair in historical materials,it studies the design prototype and common use objects of it,and concluded that there is a certain relationship between the shape of the armchair and the female user groups,which will further help explore the gender design of traditional furniture.
出处
《家具与室内装饰》
2020年第8期30-31,共2页
Furniture & Interior Design
基金
教育部人文社会科学研究一般项目“女性与家具:性别视野下《红楼梦》中的家具研究”(17YJC760064)
江苏理工学院人才引进项目“红楼梦版刻插图中女性常用家具研究”(KYY18562)。
关键词
红楼梦图咏
圈椅
图像
女性
The picture of a dream of red mansions
Armchair
Image
Female
