元大都堪舆美学思想研究

A Study of Yuan Dadu's Fengshui Aesthetic Thought

本文以元大都营造的堪舆学背景作为研究史料,从元大都营造整体构建、哲学溯源和美学呈现的三个方面,对元大都的堪舆美学展开研究。综合考察元大都在营造过程中“体易乾元”的设计理念、“天人合一”的哲学精神和“文明化成”的美学思考,进而恢复堪舆学在元大都营造过程中的功能和作用,在文化美学研究的基础上,对元代堪舆学产生的背景环境、思想史料展开研究,辩证批判地考察元大都的堪舆美学。

This paper takes the background of public opinion created by Yuan Dadu as the research historical material,and studies the aesthetics of public opinion created by Yuan Dadu from three aspects:the overall construction of Yuan Dadu,the philosophical traceability and the aesthetic presentation.This paper comprehensively investigates the design concept of Zhouyi,the philosophical spirit of"harmony between man and nature"and the aesthetic thinking of"civilized formation"in the process of building Yuan Dadu,and then restores the function and function of Fengshui in the process of building Yuan Dadu.Based on the research of cultural aesthetics,the background environment and thinking of Fengshui in the Yuan Dynasty are studied.We want to study the historical materials and examine the aesthetics of Yuan Dadu dialectically and critically.