模仿说视域下的苏州博物馆新馆设计研究

Research on the Design of the New Suzhou Museum from the Perspective of Imitation Theory

柏拉图的"模仿说"客观揭示了艺术是社会存在的反映这一事实,艺术家模仿事物创造艺术作品,表面上看能反映出事物的一切,而实际上它只取这件事物的一部分,即事物的表象。苏州博物馆作为一个代表城市文化形象的现代综合性博物馆,其设计既需要有现代建筑的新技术,又需要体现苏州与众不同的地域文化。苏州博物馆新馆是建筑大师贝聿铭送给家乡的"礼物",包含了他对家乡的很多情感和他对故乡、对自身的中国血统、对中国文化、对现代建筑手法的热爱。新馆的设计无论是对几何性变化的模仿、对自然山水画卷的模仿还是对自然景物的模仿都离不开贝聿铭对传统思想建筑的现代主义设计。当今,在全球火热的现代"国际风格"思潮下,建筑设计并不是一味模仿现代主义做出的千篇一律的建筑,更多的是要结合当地的人文情怀、传统文化,模仿当地的风俗特色,创造出符合地域文化的现代建筑。

Plato’s theory of imitation objectively reveals the fact that art is the reflection of social existence. Artists imitate things to create works of art, which can reflect everything on the surface, but in fact it only takes a part of this thing, that is, the appearance of things. Suzhou Museum, as a modern comprehensive museum representing the cultural image of the city, its design needs not only the new technology of modern architecture, but also the unique regional culture of Suzhou. The new Suzhou Museum is a "gift" given to his hometown by Pei Yuming, a master architect. It contains a lot of his feelings for his hometown, his love for his Chinese origin, Chinese culture and modern architectural techniques. The design of the new museum can not be separated from Pei’s modernist design of traditional ideological architecture, no matter the imitation of geometric changes, natural landscape paintings or natural scenery. Under the trend of global hot modern "international style", the architectural design is not the same architecture made by blindly imitating modernism, but more in combination with local humanities feelings, traditional culture, imitation of local customs and characteristics, so as to create a modern building in line with regional culture.