从“诗言志”到“诗无达志”:古典诗论概念的阐释与意义转化

From"Poetry Expresses Aspiration"to"Poetry Does Not Reach Aspiration":Interpretation and Significance Transformation of the Concept of Classical Poetics

从《尚书·尧典》的“诗言志”到清代王夫之的“诗无达志”,诗学概念的内容从揭示诗歌可以抒发诗人之意到诗歌具有多义性的解读,其中蕴含了“言志”与“无达志”密切相连的关系,也完成了从创作论向鉴赏论的转变,实现了作者、读者、文本和世界四要素的结合。同时,这一过程紧紧围绕立足文本与遵循诗歌本身多义性、承认读者的主观能动性与文学四要素的结合,紧扣解诗的时代性与继承发展的释诗原则,成为了诗论界的一大发展。

From"poetry expressing aspiration"in Shangshu Yaodian to"poetry does not reaching aspiration"of Wang Fuzhi in Qing Dynasty,the content of poetics concept is from revealing poetry can express poet's meaning to polysemy interpretation of poetry,which contains the close relationship between"poetry expressing aspiration"and"poetry does not reaching aspiration",and also completes the transformation from creation theory to appreciation theory,realizing the four elements of author,reader,text and the world combination.At the same time,this process has become a great development in the field of poetics,which focuses on the combination of text and polysemy of poetry,the recognition of the reader's subjective initiative and the four elements of literature,and the interpretation of poetry,which is closely related to the era and inheritance of poetry.