接受美学视域下国产犯罪片叙事美学探析

Exploration and Analysis on the Narrative Aesthetics of Domestic Crime Movies from the Perspective of Reception Aesthetics

在接受美学视域下对我国当下犯罪类型片进行审视后发现,一些经典犯罪片颠覆了以往传统叙事手法,在类型元素、悬念设置、人物形象塑造等方面不断调整创新,重新建构新的叙事体系,以满足受众多元化的审美需求。这些国产犯罪片通过召唤受众、打破受众视野期待等艺术手法,把个体审美经验与电影文本的“空白”、未定性联系起来,对作品进行二次创造和解读,以最大限度地实现其潜在意义与审美价值。

From the perspective of Reception Aesthetics,the current crime genre movies in China are examined to find that some classic crime movies have subverted the traditional narrative methods in the past,constantly adjusting and innovating in terms of genre elements,suspense settings,character shaping,etc.,and reconstructing new narratives system to meet the diverse aesthetic needs of the audience.These domestic crime movies link the individual aesthetic experience with the"blank"and undetermined nature of the movie text by summoning the audience and breaking the expectations of the audience's vision,etc.,to create and interpret the works for the second time,and to maximize to realize their potential significance and aesthetic value.