艺术的借鉴与创新——毕加索青年时期艺术创作的路径

The Reference and Creation of Art:the Path of Picasso's Artistic Creation in His Youth

艺术总在模仿借鉴中向前发展。传统的西方美学思想将艺术定义为模仿或对人类所见世界的模拟与仿造。青年时期的毕加索显然受到马奈、莫奈、梵高、图卢兹·劳特雷克、德加、塞尚等著名艺术家的影响,但毕加索不是简单地模仿与借鉴他们的创作理念和绘画技法,而是在模仿借鉴的过程中使它们成为自己创作思维的一部分,努力寻找和确立自己的风格。青年时期,毕加索一直在不断地借鉴、突破与创新,最终开创了立体主义画派,确立了自己在西方现代艺术中的大师地位。

Art always moves forward in imitation and reference.The traditional western aesthetic thought defines art as imitation,or the simulation and imitation of the world seen by human beings.Picasso in his youth was obviously influenced by famous artists such as Manet,Monet,Van Gogh,Toulouse-Lautrec,Degas,Cezanne,and so on,but Picasso did not simply imitate and borrow their creative ideas and painting techniques for reference,but made them a part of his creative thinking in the process of imitation and reference,and strived to find and establish his own style.In his youth,Picasso had been constantly learning from,breaking through and innovating.Finally,he created the Cubist school of painting and established his status as a master in the development of western modern art.