论徐怀中《迁风记》的女体叙事

On the Narrative of Female Body in Xu Huaizhong’s Qian Feng Ji

男性作家徐怀中的《迁风记》对女性身体的叙事别具一格。与以往很多男作家文本将女性身体视为客体的倾向不同,《迁风记》的女体叙事基本祛除了欲望化对象的色彩,力求达到一种圣洁崇高的审美境界。这种女体叙事的产生与作者几十年创作中秉承的性别观念和我国当代社会性别制度密切相关。《迁风记》的女体叙事在中国当代文学史中接续了十七年革命历史小说的流脉并有所超越,溢出了西方女性主义文学批评“写女性”理论的边界,具有一定的超性别意义。

Xu Huaizhong,a male writer,narrates the female body in a unique way.Different from the tendency of many male writers to regard female body as object,the narrative of female body in Qian Feng Ji basically dispels the color of desire object and strives to achieve a kind of holy and lofty aesthetic realm.The emergence of this narrative of female body is closely related to the author’s gender consciousness and the gender-system in the People’s Republic of China.In the history of contemporary Chinese literature,the narrative of female body in Qian Feng Ji has continued and surpassed the stream of 17 years’revolutionary historical novels,and has certain significance gender transcending,which has exceeded the boundary of western feminist literary criticism of“writing about women”.