论陶渊明在韩国的创作接受--以“和陶诗”“和陶辞”为例

Discussion on Creation Acceptance of Tao Yuanming in South Korea--A Case of“Poems Based on TAO Yuanming”and“Ci Based on TAO Yuanming”

韩国诗人对陶渊明的创作接受主要体现在对其诗风的仿拟与扬举,主要形式是以“和陶诗”与“和陶辞”来显现的。韩人的和陶动机多受“亦隐亦朝”的传统文化影响,加之派系党争不断,又因苏轼和陶作品的助推,“和陶诗”与“和陶辞”的声名愈发稳固。在此际遇下,文人多倾向于借由山水文学来宣泄情绪,旨在传达类陶的隐逸旨趣或复杂形势下的个人情感。此外,韩人的和陶作逐渐摆脱了形式主义,自成一体,具有高度的自主创新意识;鸣诗兴感于时势,针砭时弊,凝结着深厚的民族情感。可见,韩国文人的和陶创作在不断发展中趋向成熟,具有关切时局的现实意义。

South Korean poets’creation acceptance of TAO Yuanming was mainly reflected in their simulation and selection of TAO Yuanming’s poem style,with the main manifestation of“Poems Based on TAO Yuanming”and“Ci(a literary form)Based on TAO Yuanming”.South Korean poets’motivation of simulating TAO Yuanming’s poem style was also influenced by traditional culture of“seclusion and political participation”.With the conflict between cliques continuing and driven by SU Shi’s works based on TAO Yuanming,the reputation of“Poems Based on TAO Yuanming”and“Ci Based on TAO Yuanming”became increasingly steady.Under such circumstances,most literati tended to release their emotions by landscape literature,with the aim of conveying seclusion purport similar to TAO Yuanming or personal emotions under the complex situation.In addition,South Korean poets’works based on TAO Yuanming gradually got rid of formalism and formed their own style,with high independent innovation consciousness.The works expressed the current affairs,pointed out problems and coagulated profound national sentiments.It thus can be seen that South Korean literati’s creation based on TAO Yuanming tended to be mature in the continuous development process,and had practical significance of concerning current affairs.