摘要
蒙古民族的民间傩仪戏剧“呼图克沁”中蕴涵着多神崇拜和企图控制神灵以实现自己愿望的做法,渗透着藏传佛教、萨满教以及汉秧歌等多元文化因素,与道教、傩戏、萨满教等原始多神教有共性,都属于多神信仰,都使用音乐作为娱神手段。
The folk Nuo opera"llutukeqin"of Mongolian nationality contains the practice of polytheist worship and the attempt to realize their own wishes by controlling deities.It is under the influence of Tibetan Buddhism,Shamanism and Yangko of Ilan nationality.It also has common characteristics with Taoism,Nuo opera,Shamanism and other primitive polytheism as they all belong to polytheist beliefs and they all apply music as a means to entertain deities.
作者
董波
DONG Bo(College of Music,Inner Mongolia Normal University,Hohhot,Inner Mongolia 010022)
出处
《贵州大学学报(艺术版)》
2020年第5期27-38,共12页
Journal of Guizhou University Art Edition