南朝石墓门图像组配探究——以南京栖霞区灵山大浦塘村南朝墓石墓门为例

A Research on the Image Sets on the Stone Tomb Gates in Southern Dynasty(420-589):a Case Study of the Stone Tomb Gate in Daputang Village,Lingshan Area,Qixia District,Nanjing City

石墓门作为南朝墓葬的重要组成部分,其形制规格、装饰图案、表现形式反映了当时墓葬形制、丧葬礼仪、宗教信仰、文化观念,并可以借此窥探南朝线刻艺术的发展状况。以南京栖霞区灵山大浦塘村南朝墓石门为例,通过田野考察、绘制线描图、图像学、文化因素分析方法,从美术考古视角比较分析南朝石墓门图案区域特点、时代特征、图案组合规律及发展演变轨迹,进而探究石墓门图案的内涵、功能及象征含义。

Stone tomb gates as an important part of burial in the Southern Dynasty with its fOrm size,system specifications,decorative patterns and forms of expression reflected the forms of tomb,funeral etiquettes,religious beliefs and cultural concepts.It can also be used to explore the development of the line carving art in Southern Dynasty.Taking the stone tomb gates in Daputang Village,Lingshan Area,Qixia District,Nanjing city as one example,this essay compares and analyzes the regional features,characteristics of the times,rules of pattern combination and evolution track.It attempts to explore the connotations,functions and symbolic implications of the patterns on the stone gate with field investigation,line drawing,iconography and analyzing cultural factors.