摘要
怀庆府戏曲文化发达,不仅体现在神庙戏楼的创建与重修方面,而且明清以来,在佛教观念世俗化的前提下,一些佛教寺院戏楼得以创建与重修。清代怀庆府佛教寺院戏曲碑刻反映了创建重修戏楼、拆毁戏楼禁戏、庆贺酬神献戏、佛像开光献戏、停戏蓄资重修庙宇等现象,体现了清代怀庆府戏曲文化的繁荣。
In this paper,as far as we know,Huaiqing Opera culture was developed,not only reflecting in the creation and reconstruction of the temple theatres,but also reflecting that some Buddhist temples and opera houses in Qing dynasty had been rebuilt and reconstructed again since the Ming and Qing Dynasties under the premise of secularization of Buddhist concept.The inscriptions on opera tablets in the Buddhist temples of Huaiqing in Qing Dynasty reflected the creation and reconstruction of the opera building,and the demolition of the opera building,also the prohibition of opera houses,and the celebration of the sacrifice of gods,playing Buddha statue opening light show,and stopping plays to save money rebuilding temples Phenomenon,and clearly embodied prosperity of Huaiqing opera culture in Qing Dynasty.
作者
程峰
秦建辉
Cheng Feng;Qin Jianhui(Tanhuai Culture Research Institute, Jiaozuo Teachers college;Office of CPC organization, Henan Polytechnic University, Jiaozuo, Henan, 454000)
出处
《焦作师范高等专科学校学报》
2020年第3期66-70,共5页
Journal of Jiaozuo Teachers College
基金
2020年度河南省哲学社会科学规划项目“豫西北戏曲文物调查与研究”(2020BYS025)。
关键词
清代
怀庆府
佛教寺院
戏曲碑刻
Qing Dynasty
Huaiqing City
Buddhist temple
Opera inscription