摘要
藏族作家阿来的生态关怀在早期佳作中已初露端倪,而在近年推出的以青藏高原特有物种为创作对象的“山珍三部曲”则更为细腻具体地呈现了阿来作品的生态忧思。本文从生态人类学的视角出发探讨该部作品,其中,社会变迁下川西藏人与自然和谐共生的美丽图景和对现代社会过度张扬的消费主义文化对生态环境造成的负面影响的批判,深刻地体现出了阿来鲜明的人文关怀和浓郁的生态忧思。
The ecological concern of the Tibetan writer Alai's works has been revealed in his early masterpieces,and the"Mountain Treasure Trilogy"published in recent years taking species-specific of Qinghai-Tibet Plateau as its creation object in recent years is more delicate and specific to present the ecological concern of Alai's works.From the perspective of ecological anthropology,this paper discusses the beautiful picture of harmonious coexistence between Tibetans and nature in the western Sichuan,and criticizes the negative impact of excessive consumerism culture on ecological environment in modern society,which profoundly reflects Alai's strong ecological concern and distinct humanistic care.
作者
高琳佳
Gao Linjia(Sichuan Minzu College,Kangding,Sichuan 626001,China)
出处
《四川民族学院学报》
2020年第5期56-59,共4页
Journal of Sichuan Minzu College
基金
2017年度四川省教育厅课题“藏族作家阿来作品整体主义生态观的构建——一种跨学科对话的尝试”(17SB0365)
2019年四川民族学院自办科研项目“'康巴作家群'散文作品的生态纬度研究”(项目编号:XYZB19012SB)。
关键词
生态人类学
山珍三部曲
和谐共生
过度消费
ecological anthropology
Mountain Treasure Trilogy
harmonious coexistence
excessive consumption