摘要
20世纪30年代的现代诗坛,艾青横空出世。在步入诗坛之前,艾青是个十足的、现代的美术青年,他最主要的素养准备和积累都集中在了对西方美术的兴趣和爱好上,尤其是醉心于法国近现代以来的印象主义绘画、现代主义绘画。1932年的牢狱事件,促成了他由画画向写诗的转变。这一偶然性转变的背后,实有其内在的深层原因,他所接受的西方现代美术资源,使他这样一位没有受过学院式诗歌写作教育、中国古典文学修养匮乏的美术青年在另一片天地中国现代新诗的领域绽放异彩,成为了中国新诗史上不可复制的艺术典范。
Ai Qing was born in the modern poetry world in 1930s.Before entering the poetry world,Ai Qing was a full-fledged and modern art youth.His most important accomplishment preparation and accumulation focused on his interest in Western art,especially the impressionist painting and modernist painting since modern France.The prison incident in 1932 promoted his transformation from painting to writing poetry.There are deep reasons behind this accidental change.He accepted the western modern art resources,which made him a fine arts youth without academic poetry writing education and lack of Chinese classical literature cultivation.He became an unrepeatable art model in the history of Chinese new poetry.
作者
周翔华
ZHOU Xiang-hua(School of culture and communication,Putian University,Putian,Fujian 351100)
出处
《汕头大学学报(人文社会科学版)》
2020年第7期12-22,94,共12页
Journal of Shantou University(Humanities and Social Sciences Edition)
基金
福建省中青年教师教育科研项目“艾青诗歌与西方印象主义绘画关系研究”(JAS170426)。
关键词
艾青
后印象派
现代意识
由画而诗
转变轨迹
Ai Qing
Post Impressionism
modern consciousness
from painting to poetry
transformation track