《考工记》中制器尚象的造物思想研究

Research on the Creation Thought of Utensil Making and Image Advocating in Kao Gong Ji

《考工记》对后世影响深远,其中“制器尚象”的设计思想体现在各篇中,涵盖对器物的物象、卦象、意象的阐释。通过研究后世出土的墓葬陪葬品,将器物与“制器尚象”思想进行相互印证,寻求“器”与“象”的变化关系,体会中国古代遵循自然、天人合一的造物思想。

Kao Gong Ji is one of the important design theory works in the pre-Qin period.Among them,the design idea of"making vessels and appreciating images"is embodied in each section,which covers the interpretation of the three levels of objects,images of the hexagrams and symbols.By studying the burial objects unearthed from the pre-Qin tombs in later times,we can verify the objects and the use of the device with each other,clarifying the changing relationship between the instrument and image and realize the creation thought of the integration of nature,heaven and man in ancient China.