摘要
中国古代哲学中的"身"范畴,内含"身-心"一体、"主-客"一体的二重结构,为探讨个体与外部世界的交互问题,提供了一种本土化的环境美学理论框架。在这种理论框架中,郭熙提出的"身即山川而取之"与"行、望、游、居"的命题,包含着如何利用"身"来观照、描绘自然之境,以及体验、想象乐居之境的环境美学观念。对于郭熙山水画学的环境美学解读,具有揭示、认知中国传统文化相关资源,检验、调整当代相关学术理论,助益当下审美实践的价值意义。
The"Shen"category in ancient Chinese philosophy has the connotation of"physical-mind"integration,and contains the cognition of"subject-object",providing a theoretical framework for exploring the interaction between human and environment.Based on this theoretical framework,Guo Xi's landscape painting can be found,which includes the idea of"aesthetic engagement"in observing and depicting the natural environment and experiencing and imagining the livable environment.This kind of environmental aesthetics,which was born in the context of Chinese classical culture,is of great value for testing and adjusting the theory and practice of contemporary environmental aesthetics.
作者
蔡志伟
CAI Zhi-wei(School of Philosophy,Nankai University,Tianjin,300350,China)
出处
《科学．经济．社会》
2020年第3期25-30,共6页
Science Economy Society
基金
江苏省社会科学基金课题“古代山水画‘四时’图像审美形态研究”(19YSC004)。
关键词
“身”
“介入”
郭熙
山水画学
环境美学
"shen"
"engagement"
Guo Xi
landscape painting
environmental aesthetics
