摘要
画商康维勒是推动立体主义建立和发展的重要人物,他的身上集聚了艺术界的多重身份:观者、收藏家、画商和批评家。本文将就其画商职业生涯及他对立体主义的理论阐释,从现代主义和艺术社会学的视角进行考察,揭示他的经营在立体派甚至现代艺术运动中的塑造作用,客观评价其立体主义批评的前瞻性和局限性,从而加深我们对现代主义艺术及其市场机制的理解。
The art dealer D.H.Kahnweiler is an important figure in promoting the establishment and development of cubism,and he embodies the multiple identities in the art world:viewer,collector,dealer and critic.This article will discuss his art-dealer career and his theory of cubism,from the perspectives of modernism and art sociology.This article intends to reveal his business s role in shaping cubism and modern art movement,and give an objective evaluation on forward-looking and limitations of his criticism of Cubism,so as to deepen our understanding of modernist art and the market mechanism.
出处
《文化研究》
2019年第4期219-234,共16页
Cultural Studies