略论印象主义音乐与中国钢琴音乐的内在共鸣

On the Internal Resonance Between Impressionist Music and Chinese Piano Music

20世纪50年代印象主义音乐传入中国之后,中国钢琴作曲家便对其飘逸的曲风和朦胧的意境产生了浓厚的兴趣。而之所以如此,不单单是因为印象主义区别于古典主义的独特风格,更多的还是因为印象主义音乐所持的美学观与我国传统审美思想有着诸多的相似之处,使得当时正处于彷徨阶段的中国作曲家看到了钢琴音乐在中国发展的方向,也看到了钢琴音乐本土化的可能。

Chinese piano composers have developed a keen interest in its ethereal style and hazy ambience.The reason for this is not only that the impressionism is different from the unique style of classicism,but also that the aesthetic outlook held by the impressionist music has many similarities with the traditional aesthetic thoughts of our country,which makes the Chinese composers who were in a wandering stage find the development direction of piano music in China,and see the possibility of localization of piano music.