VR审美:激情•迷醉•反抗的美学

VR Aesthetic Appreciation:Enthusiasm,Enchantment,and Rebellious Aesthetics

随着美学这一学科的发展,尼采所推崇的酒神精神已不再只是悲剧作品的专属,酒神精神中的核心内涵也出现在了VR审美中。在VR审美中,主体通过沉浸式的审美体验感受到酒神精神中的激情之力,虚拟现实情境中审美主、客体的“物我合一”又是酒神精神中迷醉之力的表现,而VR审美这一审美形式的出现本身就是对当下浅表化审美,以及痛苦的人生与世界的一种反抗,这种反抗之力与尼采通过酒神精神给悲剧世界带来一种具有审美意味的形而上的艺术慰藉有一定的契合之处。

As aesthetics develops,the Dionysian spirit advocated by Nietzsche is no longer the exclusive domain in tragedies,and its core connotation also appears in VR aesthetic appreciation.The subject feels the passionate power of the Dionysian spirit through the immersive aesthetic experience in the VR aesthetic appreciation,and the unity of the aesthetic object and self in virtual reality is also the manifestation of enchantment in the Dionysian spirit.Nevertheless,the emergence of VR aesthetic appreciation itself is a revolt against the superficial aesthetics,as well as the painful life and world,which agrees with the metaphysically artistic consolation with aesthetic meaning that Nietzsche brings to the tragic world through the Dionysian spirit.