摘要
米歇尔·福柯跳脱了迷恋历史时间的传统固化空间,将关注视点转移到空间的潜藏性、异质性和翻覆性的层面,实现了空间的转向。福柯提出的"异托邦"的空间形态在乌托邦镜像空间的映衬下被建构。他以一种理论批评的形式总纳出异托邦空间的六大特性,一定程度上实现了空间美学的另类再建。其空间美学思想中将主体、权力结构和审美并置的态度,为探究主体与空间的关系提供了新视野,空间哲学的研究也因之上升至了新的层阶。
Michel Foucault broke away from the traditional fixed space that infatuated with historical time and shifted his focus to the potential,heterogeneity and overturning of space,thus realizing the transformation of space.The spatial form of“heterotopia”proposed by Foucault is constructed against the mirror space of Utopia.In the form of theoretical criticism,he summed up the six characteristics of the Heterotopia space and realized the reconstruction of space aesthetics to a certain extent.The juxtaposition of subject,power structure and aesthetics in his space aesthetics thought provides a new vision for exploring the relationship between subject and space,and the research of space philosophy also rises to a new level.
作者
王永芳
WANG Yong-fang(Hunan Normal University,Changsha 410081,China)
出处
《哈尔滨学院学报》
2020年第10期26-29,共4页
Journal of Harbin University
关键词
异托邦
异域
空间特性
空间美学
Heterotopia
the exotic region
spatial characteristics
space aesthetics