摘要
从“机械文明”的控诉到“大众文化”的批判,从“文化工业”的反思到“文化产业”的转向,从“创意产业”的提出到“创意经济”的流行,可以从中窥探西方文化产业观念的缘起、发生与变迁路径,进而揭示这一观念背后的社会语境与理论立场。它表明文化产业是适应“时势”的客观产物,不以人的意志为转移,也反映了人们不断适应文化产业新形态,赋予文化产业新内涵的过程。
From the complaint of“mechanical civilization”to the criticism of“mass culture”,from the reflection of“culture industry”to the turn of“cultural industries”,from the proposal of“creative industries”to the popularity of“creative economy”,we can explore the origin,occurrence and changes of the concept of western cultural industries,and then reveal the social context and theoretical position behind this concept.It shows that the cultural industries is an objective product of adapting to“the current situation”and does not transfer by human will.It also reflects the process of people adapting to the new form of the cultural industries and giving new meaning to cultural industries.
作者
宗祖盼
ZONG Zu-pan(Institution for Cultural Industries,Shenzhen University,Shenzhen 518060,China)
出处
《贵州师范大学学报(社会科学版)》
2020年第5期110-119,共10页
Journal of Guizhou Normal University(Social Sciences)
基金
广东省社会科学规划后期资助项目“文化产业发生论”(GD18HYS03)
广东省教育厅项目“广东近现代文艺市场变迁与发生机制研究(1840-2018)”(2018WQNCX152)的阶段性成果。
关键词
大众文化
文化工业
文化产业
创意产业
观念变迁
mass culture
culture industry
cultural industries
creative industries
changes of concept