青木正儿的《文心雕龙》研究——以文体论和修辞论为中心

On Aoki Masaru’s Study of The Literary Mind and the Carving of Dragons:Focused on Stylistics and Rhetoric

青木正儿的《文心雕龙》研究主要围绕文体论和修辞论展开。基于清朝姚鼐的十三类文体分类法,青木正儿选取昭明太子《文选》的文章,引入刘勰《文心雕龙》的"文笔"理论,提出了自己的文体分类说"文章流别论"。青木正儿把《文心雕龙》中《情采》至《隐秀》的十篇文章列入修辞论的范畴,指出"声韵说""对句法"和"事类"三种修辞技法是创作骈体文最重要的三种修辞手法,同时批判了刘勰的文论思想的局限性。对铃木虎雄《文心雕龙》研究的"批判性继承",正是青木正儿《文心雕龙》研究的特质。

Aoki Masaru’s study of The Literary Mind and the Carving of Dragons mainly focuses on stylistics and rhetoric.Based on Yao Nai’s thirteen classifications of stylistics,Aoki Masaru studies the Selected Works of Zhao Ming,introduces Liu Xie’s"Classification of Articles"in The Literary Mind and the Carving of Dragons,and puts forward his own theory of stylist classification.Ten articles,taken from Qingcai to Yinxiu in The Literary Mind and the Carving of Dragons,were examined by Aoki Masaru about the category of rhetoric,and he points out that the three rhetorical techniques of"rhyme","syntax"and"allusions"are the most important rhetorical techniques during the creation of parallel verses,and at the same time he criticizes the limitations of Liu Xie’s literary theory.Aoki Masaru carries on Suzuki Torao’s researches on the very book with critical thinking,which is the unique feature of his study.