摘要
从1900年到1916年,克里姆特几乎每年夏天都会在奥地利的阿特湖地区避暑,同时绘制了大量的风景画,这些风景画占据了他全部作品大约四分之一的数量。克里姆特创作风景画可以视作是他探索人物画技法的延续,但他在风景画中更大胆地偏离传统手法、更自由地实验新的绘画语言。这些作品基本都是正方形构图,具有独特的观察视角,画面往往充满秩序又生机盎然,兼具装饰性与表现力。借助风景画这一题材,克里姆特在画布上重新建构了自然。
Gustav Klimt spent almost every summer in Lake Attersee from 1900 to 1916 and created a large number of landscape paintings,which accounted for about a quarter of all his works.Klimt’s landscape paintings can be regarded as a continuation of the figure painting techniques he explored,but in these landscape paintings,he deviated from traditional techniques more boldly and experimented with new painting languages more freely.These works are basically square composition,with a unique viewing point,which are always full of order and vitality,both decorative and expressive.With landscape painting,Klimt reconstructed nature on the canvas.
出处
《当代美术家》
2020年第4期34-39,共6页
Contemporary Artists
