摘要
二十世纪五六十年代,何其芳以强烈的理性自觉“融入”时代潮流,却又顽强地保留着抒情“自我”。他被时代文学大潮鼓动着,感到“甜蜜”也有些“惊恐”。他想在“自我”的河流里“勇敢航行”,却又担心“桅杆吹断”,内心深处存在着理性自觉与情感倾向、革命觉悟和审美追求以及工作性质和个人气质的巨大矛盾。这些矛盾使他的诗歌艰难地行走在与主流队伍“偏离”的道路上。就抒情风格而言,他的诗歌没有真正融进时代的诗学语境,也没有真正践行他所服膺的理论主张。他的许多诗歌保持了隐隐幽幽的抒情风格,表现了矛盾复杂的心影。
In the 1950s and 1960s,He Qifang "blended himself " in the trend of the times with a strong sense of rationality,but stubbornly retained the lyric "ego".He feltboth "sweet" and "horrified" when inspired by the tide of contemporary literature.Though he wanted to "sail bravely" in the river of "ego",he was afraid his "mast would bebroken".Deep in his heart,there were huge contradictions between rational consciousness and emotional tendency,between revolutionary consciousness and aesthetic pursuit,and between the nature of work and personal temperament.These contradictions made his poetry "deviate" from the mainstream poets.As far as lyric style was concerned,his poems did not really integrate into the poetic context of the times,nor did they really practice the theoretical propositions which he admired.Many of his poems maintained a faint lyrical style,showing his contradictory and complex inner mind.
作者
石兴泽
Shi Xingze(School of Liberal Arts,Liaocheng University,Liaocheng 252059,China)
出处
《东方论坛(青岛大学学报)》
2020年第5期42-52,F0002,共12页
Eastern Forum(JOURNAL OF QINGDAO UNIVERSITY)
基金
国家社会科学基金项目“二十世纪五六十年代中国浪漫主义文学研究”(11BZW102)的阶段性成果。