原型批评视域下的当代藏族汉语诗歌

Contemporary Tibetan Chinese Poetry from the Perspective of Archetypal Criticism

本文以"猕猴与罗刹女结合衍生藏民族"的神话传说为引子,从藏族古典诗歌《水论格言》《火论格言》《木论格言》《风论格言》切入,结合藏族人宗教经验中水、地、风、火四大元素,采用原型批评的方法从本体论角度对当代藏族汉语诗歌中的主要意象、主题及隐喻、象征等修辞方法进行分析,勾勒藏族汉语诗歌的象征图式并由此展开对藏族汉语诗歌的具体分析,从而考察原型经验下藏族诗人的情感结构及藏族汉语诗歌的内在肌质。

The author introduces the myths and legends of the Tibetan classical poetry to analyzes the main images,themes and metaphors and symbols of contemporary Tibetan Chinese poems from the perspective of archetypalism,and analyzes the rhetorical methods of Tibetan,the symbolic pattern of Chinese poetry and the concrete analysis of Tibetan Chinese,so as to examine the emotional structure of Tibetan poets and the intrinsic texture of Tibetan Chinese poems.