摘要
把《山水情》这部诗动画放到中国文人诗的宏大系统中,对照编剧王树忱的身世以及他创作这部作品时的精神状态,我认为真正让《山水情》具有震慑人心的艺术力量的,不仅是水墨画和笛琴相和、相得益彰的表现形式,更是影片中英雄失路、壮志难酬的情怀,以及作品所表达的生命无力感和幻灭感。
Putting the poem animation Landscape Emotion into the grand system of Chinese literati poems,and taking the scriptwriter Wang Shuchen’s life and mental state into consideration,what really enables Landscape Emotion with the artistic power to shock and surprise,is not only its ink painting and melodica,but also the ambition of resentment and feelings of the heroes in the animation,and the life powerlessness and disillusionment presented by the works as well.
出处
《上海文化》
CSSCI
2020年第10期53-59,126,共8页
Shanghai Culture
基金
2019年度国家社会科学基金重大项目“新时代中国动画学派的重建与民族文化传播研究”(项目号:19ZDA333)的阶段性成果。
