摘要
宋诗表现出叙事性不断加强的明显趋势,范成大的题画诗也顺应了这一转变,表现出较强的叙事性特征。他以内聚焦的叙事视角表达观画感受,或寓己于画中,抒发自我之意,或自觉揣摩画作,传达画家之意;准确领会画中富有包孕的片刻,由此推想过去和未来,在诗中设想故事情节,更好地表现画家之意的同时,也使画中景物更加鲜活灵动;通过聚焦于“虚”的叙事方式,营造出一个虚空邈远的诗歌意境,扩大了诗歌容量,延伸了诗歌空间。
Song poetry shows a clear and increasing trend of narrative,and Fan Chengda's poems of paintings also conform to this change,showing strong narrative characteristics.He uses the narrative perspective to express the feelings of viewing paintings,or embedding himself in the painting,expressing his meaning,consciously trying to figure out the paintings,conveying the meaning of the painter.He accurately comprehends the moments that are rich in the painting,and then infers the past and the future.He envisages the plots in the poem,which better expresses the meaning of the painter and at the same time makes the scene in the painting more vivid and agile.Through the narrative method of focusing on the“emptiness”,it creates an artistic conception of poetry that is empty and far-reaching,and expands the poetry capacity and extends the poetry space.
作者
范悦
FAN Yue(College of Chinese Language and Literature,Fujian Normal University,Fuzhou 350000,Fujian,China)
出处
《铜仁学院学报》
2020年第5期37-43,52,共8页
Journal of Tongren University
关键词
范成大
题画诗
叙事性
虚实关系
Fan Chengda
poems with painting
the narrative
virtual reality