主体叠合与权力转换:大型音乐舞蹈史诗《东方红》的身体政治

Subject Overlap and Power Migration:Body Politics of the Musical and Dance Epic The East is Red

大型音乐舞蹈史诗《东方红》作为中国红色经典的代表,其身体政治蕴涵着丰富的表达。从身体政治学的视角分析,《东方红》并非演员在国家意志和导演意图实施中被动呈现的结果,也非全然国家规训下的身体表述,而是国家—参与者在主体叠合和权力转换中的共同创造。在这个过程中,随着权力的转换,每一方都作为强力的参与主体,在作品呈现、传播和艺术生产中编织成国家形象以及存在的"场"。在这个"场"中,通过时间、主体、空间的叠合,身体话语由对苦难的抒发、痛苦的吟唱走向革命的抗争和权力的共生,继而在理想蓝图的建设中构建出神圣的身体,完成国家形象在历史—当代、族群—个体、理想—现实中的多维塑造。

As a representative of Chinese red classics,the large-scale music and dance epic The East is Red has rich expressions in its body politics.From the perspective of modern body politics,The East is Red is not the result of dancers’passive presentation of national will or director’s intention,nor is it the body expression under the whole national discipline,but a co-creation of stateparticipant in the subject overlap and power conversion.In this process,with the power migration,each party as a powerful participating subject,weaves into national image and existing"field"in the presentation,dissemination and creation of artistic works.In this"field",through the overlapping of time,subject and space,body discourse changes from the expression of suffering,the painful chanting to the revolutionary struggle and the symbiosis of power,then constructs a sacred body in the dissolution of history and completes the history-contemporary,ethnic group-individual,ideal-reality multi-dimensional shaping of national image.