从情感认同到视觉审美——《东方红》与《复兴之路》的身体组织方式与审美政治效果

From Emotional Identification to Visual Aesthetics:the Mode of Body Organization and the Effect of Political Aesthetics in The East is Red and The Road to Revival

文章以大型音乐舞蹈史诗《东方红》(1964)与《复兴之路》(2009)为研究对象,从舞蹈艺术的角度,择其可比者,对不同历史时期的身体组织方式和审美政治效果进行阐述。透过45年的历史间隔,以身体语法的变化解读政治的演进和舞台的发展。从舞蹈语汇的选择与国家形象的建构,身体艺术的直陈与科技手段的烘托,写实与写意的艺术处理与亲历三个方面,将人们的情感、审美和境遇,在历史的铺陈与艺术的比兴中予以呈现,并通过文本分析对当代历史轨迹的艺术书写予以观照。

The paper takes the large-scale music and dance epics The East is Red(1964)and The Road to Revival(2009)as its research objects,chooses their comparables to expound the mode of body organization and the effect of aesthetic politics in different historical periods from the perspective of dance art.With the change of body vocabulary,it interprets the evolution of politics and the development of stage through the 45-years historical interval.From"the choice of dance vocabulary and the construction of national image","the direct presentation of body art and the support of scientific and technological means","the realistic/freehand artistic processing and the historical memory of personal experience/imagination",it presents the emotion,aesthetics and circumstances in the historical narration and artistic comparison,and pays attention to the artistic writing of contemporary history through text analysis.