李白为词祖当非虚誉--《菩萨蛮》《忆秦娥》真伪考论

Li Bai Deserves to Be Titled“the Father of Ci Poetry":A Textual Research onPuSaMan(菩萨蛮)andYiQinE(忆秦娥)

采用将李白名下诗词的体势与意境相对照的方式,依据精彩独造处相似、取境习惯相似、多重相似的标准,落实到字、词、句、篇上,兼顾体势、意象、意境、章法、技法、风韵等方面来对比分析,可知李白名下最受争议的《菩萨蛮》《忆秦娥》诸词与李白《寄当涂赵少府炎》《灞陵行送别》、赠内及代内赠诸诗高度相似,与李白其他诗境也多有相通,而能展现出别于诗的独到特色。结合李白的生平经历、时代背景与李白词真伪之争的成因,昔人称李白为词祖,当非虚誉。

By comparing the style and artistic conception of poems and ci poems in Li Bai(李白)’s name, according to the standards of unique creation, artistic realm and multiple similarities with focus on, details in words, sentences,articles, and attention to style, image, artistic conception, techniques, charm as well as other aspects of comparative analysis, it can be seen that Pu Sa Man(菩萨蛮)and Yi Qin E(忆秦娥)which the most controversial ci poems under Li Bai’s name, are highly similar to Li Bai’s poems such as Send to Zhao Yan in Dangtu(寄当涂赵少府炎), Seeing off in Baling(灞陵行送别), Poems for My Wife(赠内诗)and Poems Given to Myself in My Wife’s Name(自代内赠诗). These ci poems are also related to Li Bai’s other poems, and show unique characteristics different from poetry.Considering his life experience and background of the times, Li Bai is called father of Ci Poetry, which is a criticallyclaimed homage to his contribution.