“对抗记忆浑浊的旧时之我”——鲁敏的东台记忆与“东坝”叙事

Transcending the Past“Myself”of Vague Memories:Lu Min's Memories of Dongtai and the Narration of“Dongba”

鲁敏的故乡记忆对她的文学创作影响深远。基于对乡村美好人性的追怀,鲁敏凭借自己早年的东台生活记忆,在“东坝”系列小说中构建“乌托邦”的诗意境界。她将东台记忆作为文学创作的“取景器”,观照世俗人情,拼缀生活意象,藉此增强叙事的感性色彩,调控叙事的内在节奏,从而优化了小说的审美效果。作为故乡文化记忆的重要标识之一,鲁敏描摹的“东坝”民俗画卷蕴含着丰富的东台地方文化元素,涉及东台的岁时民俗以及人生仪礼、物质生活、民间艺术等多种民俗事象。总之,鲁敏的“东坝”叙事呈现出一种精巧别致的“记忆”美学,具有独特的文学史意义。

Lu Min's memories of hometown have a profound influence on her literary creation.By recalling the beautiful human nature in the countryside,,and based on her early life memory in Dongtai,Lu Min constructed a poetic realm of“Utopia”in her novels related to“Dongba”.She regards her Dongtai memory as the“viewfinder”of literary creation.By observing secular human feelings and integrating daily images,Lu Min adjusts the perceptual color and internal rhythm of literary narration,which optimizes the aesthetic effect of her novels.Dongba,a picturesque place with folk described by Lu Min contains rich local cultural elements of Dongtai,such as festivals,rituals,material life,folk art and other folk customs.In general,Lu Min's narrative of Dongba presents a subtle“memory”aesthetics,which has unique literary history significance.