亨利·米肖抽象绘画中的“流动存在意识”

“Sensing Fluidity”in the Abstract Paintings of Henri Michaux

比利时/法国作家、艺术家亨利·米肖是战后兴起的抽象表现主义的代表人物。与几乎同时代的抒情抽象或斑渍抽象不同,米肖的实践更多地针对某种语言学层面的存在主义命题作出回应。本文从米肖早期的评论文章着手分析,追溯其反本质主义的“流动性”存在意识的生成,并分析解读这一观念在其两个代表性的作品系列,即象形书法绘画与“麦司卡林绘画”中的具体体现。

The Belgian-born French writer and artist Henri Michaux is a representative figure of Abstract Expressionism that emerged in the postwar period.Unlike the Lyrical Abstraction or Tachism of his times,Michaux’s practice responds more to some existential propositions at a certain linguistic level.This article starts with the analysis of Michaux’s early review articles,then traces the generation of his anti-essentialist"fluidity"consciousness,and analyzes and interprets the concrete embodiment of this concept in his two series of representative works,namely ideographic drawings and“Mescaline Drawings”.