花儿歌舞剧《曼苏尔》的文化特性研究

A Study on the Cultural Characteristics of the Huaer Musical Mansour

花儿歌舞剧《曼苏尔》依据流传在宁夏回族群众之中的民间故事改编而成,是将民族民间艺术与现代舞台艺术结合的典范之作。文章从故事题材的民族性、艺术表现的创新性和文化融合的时代性三个层面分析了花儿歌舞剧《曼苏尔》的文化特性,在此基础上阐发《曼苏尔》的审美特征和文化形态,以此表明无论在题材内容上,还是在艺术形式上,本剧都彰显出中华各民族之间的艺术交融与文化认同。

The Huaer musical“Mansour”is based on the folk tales circulated among the Hui people in Ningxia.It is a model work combining ethnic folk art with modem stage art.The article analyzes the cultural characteristics of Huaer s musical “Mansour” from three aspects:the nationality of the theme of the story,the innovation of artistic expression,and the timeliness of cultural integration.On this basis,we recognize the aesthetic characteristics of “Mansour” And cultural form.No matter in the content of the subject matter or in the form of art,it demonstrates the art blending and cultural identity among all ethnic groups in China.