戏如人生,尽显哲思--论加缪戏剧作品中的哲学思想演变

Drama is Like Life,With Philosophical Thinking fully Embedded:On the Evolution of Camus’Philosophical thoughts in his Drama Works

加缪的“荒诞”哲学是20世纪西方最具影响力的学说之一。作为一个将哲学与文学相融合的作家,加缪的文学作品皆可被视为其“哲学宣言”。在他的众多作品中,戏剧作品是一个特殊的存在。戏剧作品不仅是加缪文学创作的重要组成部分,而且与其他艺术形式的作品互相呼应、互为补充,诠释了加缪在不同阶段所思考的主要哲学问题,勾勒出其从“荒诞”到“反抗”再到“节制”的思想演变历程。

Camus’philosophy of absurdity is one of the most influential theories in the West in the 20th century.As a writer who integrates philosophy and literature,Camus’literary works can be regarded as his“philosophical manifes-to”.Among all Camus’works,dramas form a special group.These works not only constitute an important part of Ca-mus’literary creation,but also echo and complement his works of other art forms.They interpret the main problems of Camus’philosophical thinking at different stages,and outline a clear track of evolution from“absurdity”to“re-sistance”and then to“abstinence” in his philosophical thinking.