摘要
绍兴平湖调与四明南词的唱腔曲调均具有以下“一致性”表现:一、相同的“凤点头”三句体结煞段式;二、相同的字位安排与惯用的切分节奏;三、衬词起统一结构落音的作用;四、上、下腔句的落音之间构成了相对固定的音程关系;五、相同的典型乐汇;六、相同的结束式。由此可判断,绍兴平湖调与四明南词的唱腔具有同源关系。
The vocal melodies Shaoxing Pinghu and Siming Nanci have the following consistency of features:1.They both have the same three-phrase structure known as feng dian tou(凤点头);2.They have the same arrangement of words and customary syncopated rhythm;3.The interjection word plays the same role of unifying the last notes in each section;4.The last notes in the upper and lower phrase have a relatively fixed interval relationship;5.They share the same typical motif;6.They have the same cadence.This therefore shows that the vocal melody Shaoxing Pinghu Diao has kinship with that of Siming Nanci.
出处
《音乐文化研究》
2020年第3期38-49,共12页
Music Culture Studies
关键词
绍兴平湖调
四明南词
唱腔音乐
同源关系
Shaoxing Pinghu Diao(绍兴平湖调)
Siming Nanci(四明南词)
Vocal melody
Kinship