摘要
俞绂棠是浙江的作曲家、音乐教育家。1937年,俞绂棠随学校撤至丽水后,一边教学一边积极创作抗战歌曲,编著歌曲集,为浙江地区抗日救亡歌咏运动的蓬勃发展作出了贡献。俞绂棠抗战歌曲的创作思想与创作手法是在学堂乐歌与新音乐运动的中国近现代音乐思潮影响下逐步形成与成熟的,体现了我国近代音乐文化的转变。同时,作为一位积极投身于浙江抗战歌咏运动的作曲家,俞绂棠的抗战作品又极具时代特征。
Yu Futang was is a composer and music educator in Zhejiang Province.In 1937,after his school was withdrawn to Lishui,Yu Futang actively wrote anti-Japanese war songs and compiled song collections while teaching,which contributed a lot to the vigorous development of the anti-Japanese and national salvation singing movement in Zhejiang Province.Yu Futang’s ideas and techniques of creation were gradually formed and matured under the influ⁃ence of China’s modern music thoughts,especially of school songs and new music movement back then,reflecting the transformation of modern music culture in China.Meanwhile,as a composer actively engaged in the anti-Japanese singing movement in Zhejiang,Yu Futang’s anti-Japanese works greatly reflect the characteristics of the times.
出处
《浙江艺术职业学院学报》
2020年第2期82-90,共9页
Journal of Zhejiang Vocational Academy of Art
关键词
俞绂棠
抗战歌曲
创作思想
创作特征
Yu Futang
anti-Japanese songs
ideas of composition
features of composition