摘要
屈骚传统作为中国思想和文化的主流之一,理应被视为儒家、道家与佛家三大传统之外的"第四大传统"。屈骚传统所彰显的是中国人由巫化情、巫始情终的"情本体"传统,恰与"离巫拒情"的逻各斯中心主义的西方主流传统迥异。如果说,孔门儒家的特质在于"建构情理,释礼归仁"的话,那么,屈骚传统的特质在于"诉诸感性,化巫入情"。屈骚传统所延续的是"巫本源",既化巫为情又显情为美。其中,巫传统和情传统皆被转化为"美巫"和"美情",指向一种"美人"与"美政"的结合。屈骚传统结合了迷狂与崇神的"巫本源"、激情与想象的"情本体"与瑰丽与尚奇的"美本色",并由这三者形成了独特的"屈骚架构"。屈原同时倡导一种"得中正"的理性,而非儒家中庸的实用理性,实现了一种中国式的偏重于情之维的"情理结构"。
As one of the mainstream of Chinese thought and culture,"The Traditions of Qu Yuan and Li Sao"should be regarded as the"Fourth tradition"besides Confucianism,Taoism and Buddhism.The Traditions of Qu Yuan and Li Sao shows the tradition of"Emotion(Qing)as Substance"from Chinese people,which is different from the western mainstream tradition of leaving Shamanism and rejecting emotions.If we say that the characteristic of Confucianism lies in"constructing emotion and reason,explaining rites and returning to benevolence",then the characteristic of The Traditions of Qu Yuan and Li Saolies in"appealing to sensibility and transforming Wu-Shamanism into emotion".The Traditions of Qu Yuan and Li Sao continues to be the"The Wu-Shamanism Origin",which not only transforms Wu-Shamanism into emotion but also shows emotion into beauty.Among them,Wu-tradition and Qing-tradition are transformed into"beautiful Wu-Shamanism"and"beautiful emotion and feeling",which points to a combination of man and politics.The Traditions of Qu Yuan and Li Sao combines the Wu-Shamanism Origin with fanaticism and worship,Emotion(Qing)as Substance with passion and imagination,and the"inner beauty in nature"with magnificence and novelty,which form a unique"The Structure of Qu Yuan and Li Sao".However,at the same time,Qu Yuan advocated a kind of rationality of"getting the right"instead of the practical rationality of the Confucian doctrine of the mean,thus realizing a Chinese style"The Emotio-Rational Structure"which focuses on the dimension of emotion.
出处
《中原文化研究》
2020年第6期77-85,共9页
The Central Plains Culture Research
关键词
屈骚传统
巫本源
情本体
美传统
得中正
屈骚架构
The Traditions of Qu Yuan and Li Sao
The Wu-Shamanism Origin
Emotion(Qing)as Substance
Aesthetic Tradition
Getting the Right
The Structure of Qu Yuan and Li Sao