身体经验与时空想象——基于场地、场景、场域的景观建构原型研究

PHYSICAL EXPERIENCE AND SPACE-TIME IMAGERY—RESEARCH ON THE PROTOTYPE OF LANDSCAPE DESIGN BY UNDERSTANDING SITE,SIGHT,AND INSIGHT

当代景观作为抵抗环境同质化、提供丰富文化想象力的重要媒介,对身体体验的忽视更易造成人与环境之间的感知矛盾与割裂。本文提出将身体-时间-空间的关系原型作为研究基于差异性要素建构的场地、场景、场域三种设计维度的抽象话语,分别表征为物质建构、意义建构和场域建构;随后探讨了如何通过控制空间序列与内外向、阈的设置、文本与句法的建构、激发事件与社会想象力等具体施行路径的作用,构成物质空间中的推拉运动、意义空间中的侧显与完形、场域空间的统觉,从而加深人对景观空间的感知。本文以身体经验与时空想象为切入点,提取并梳理了不同维度的景观建构思维,认为合理的差异要素组织设计方式可以通过以上三元维度建立深刻且亲密的人地关系。

Contemporary landscape is an important medium that resists the environmental homogeneity and diversifies the cultural imagery. The neglect of physical experience would intensify the perception contradiction and separation between people and the site. This paper proposes to use the prototype of the interactions between the body, time, and space to build an abstract discourse to study the design dimensions of site, sight, and insight based on different elements-the three dimensions are represented as perception, conception, and live. It then focuses on how to employ design methods(including the arrangement of spatial sequence and direction, the design of thresholds in the space, the creation of texts and syntaxes, and the stimulation of events and social imagery) to form the push-pull movement in the material space, the abschattung and gestalt of ideographic texts in the meaning space, and the apperception of the social field, so as to enhance people’s perception of the landscape. This paper studies physical experience and spacetime imagery to extract and deduce the thinking of landscape design within varied dimensions, and argues that a profound and intimate relationship between man and the site can be established by organizing different elements under the ternary system of site, sight, and insight.