摘要
澳大利亚“新派”小说的领军人物迈克尔·怀尔丁的创作既不属于传统的劳森派,又不属于现代风格的怀特派,更像是一种混杂的“第三空间”创作。兼具后现代主义和马克思主义的文学特征既为他的作品带来了丰富的内涵,也使他在文学史定位上处于尴尬的境地。怀尔丁试图集两种冲突的流派于一身,在后现代叙事表层下包裹马克思主义的精神内核,展示了他独特的文学观背后的人文关怀。这也是因其特殊的成长经历和澳大利亚二战后的社会创伤所决定的。
Michael Wilding,the Australian“new novel”leader,does not belong to the traditional school of Henry Lawson,nor to the school of Patrick White,but more like a hybrid“third space”.Combi⁃ning postmodernism and Marxism,Michael Wilding's view of literature brings rich connotation to his works,but also at the same time puts him in an awkward position in literature history.The coexis⁃tence of the two conflicting doctrines,the spiritual core of Marxism wrapped under the surface of postmodern narrative reveal Michael Wilding's humanistic care,which is determined by his special life experience and the collective trauma of Australian society after World WarⅡ.
作者
施云波
SHI Yunbo(School of Foreign Languages,Changzhou Institute of Technology,Changzhou 213032,China;School of Foreign Languages,Soochow University,Suzhou 215006,China)
出处
《外文研究》
2020年第3期84-91,110,共9页
Foreign Studies
基金
江苏省社会科学基金项目“澳大利亚作家群二战创伤书写研究”(18WWD003)。
