生活小戏的存在主义阐释——嘉绒藏戏《老夫与少妇》的启发

An Existentialist Interpretation of Playlet——An Inspiration from Jiarong Tibetan Drama Old Man and Young Lady

生活小戏从普通生活中撷取小片段,在质朴的“空”剧场中展开“常人”生命存在的状态,由个体的此在走向共在。凸显的并不是个人意志的戏剧性冲突,展现的是在共同体生活情境压力的推动下,个体生命存在走向平均化的沉沦过程。《老夫与少妇》属于嘉绒藏戏中生活小剧的一种,其场景来源于嘉绒民间日常生活“自然状态”,戏剧情境是由普通家庭伦理关系的逐步展开。戏剧主要以人物依次上场划分场面、以家庭对话推动情节发展,间插少量演唱;人物佩戴动物面具以象征性格特点,没有自我个性的“名字”。此在平凡生活的操心中却蕴含着“存在主义”的真谛。

Playlet takes small fragments from ordinary life and unfolds the state of"ordinary people"in the"empty"theater.What is highlighted is not the dramatic conflict of individual will,but the process of average degradation of life existence driven by the pressure of"community"life The old Man and Young Lady"is one of the playlets of Jiarong Tibetan opera.The scene is derived from the"natural state"of Jiarong folk daily life,and the dramatic situation is gradually developed from the ethical relationship of ordinary families.The drama mainly uses the characters to stage the scene in sequence as occasion division;the plot is developed with the family dialogue,interspersing with a little singing;The character wears an animal mask to symbolize his character,without the"name"of his personality.Underlying this ordinary life is the thoughts of"Existentialism".